SACD, Liszt (composer)
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Panache is Kantorow’s strength throughout the program, but it is combined with probing emotional maturity, which is rare. I doubt that any prediction will come true for him other than the prediction... — More…
Awards:
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Presto Recording of the Week, 16th October 2020
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Gramophone Magazine, November 2020, Editor's Choice
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Wee conjures the compelling illusion of being both Mozart’s soloist and his orchestra... it ’s not every pianist who can lift those notes off the page – and Wee does a wonderful job of honouring... — More…
Awards:
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Gramophone Magazine, December 2022, Recording of the Month
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Gramophone Awards, 2023 Finalists, Shortlisted - Piano
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Madaras is on more than merely home turf. Liszt, the ultimate Romantic pianist-composer, is not always at his finest when orchestrating , but Madaras and his Orchestre Philharmonique Royal de... — More…
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As Simon Johnson admits, presenting two hours of music based on just four notes doesn’t sound a tantalising prospect, but this double album is full of revelations… Altogether, this is a remarkable... — More…
Awards:
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Gramophone Magazine, March 2022, Editor's Choice
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Kantorow's approach rejects bombast in favour of an equable, mellow-toned artistry that's admirable in itself…Kantorow's way with [the Second Concerto], at once powerful and lucid, convinces... — More…
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Awards:
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Opus Klassik Awards, 2023, Nominated - Young Talent & Solo Instrumental
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Awards:
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Opus Klassik Awards, 2023, Nominated - Young Talent
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Even with center-of-the-repertoire material, performances of this level would merit an enthusiastic appreciation; with repertoire of this rarity, they’re doubly welcome. Add BIS’s warm and realistic... — More…
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It's not just intelligent programme planning...that makes Piemontesi stand out; this is seriously classy pianism. Clarity of thought is complemented by clarity of touch, incisive intellect by... — More…
Awards:
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BBC Music Magazine Awards, 2012, Newcomer of the Year
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Liszt: Piano Concerto No. 1 in E flat major, S124, etc.
Arnaldo Cohen (piano)
São Paulo Symphony Orchestra, John Neschling
…the most impressive performance here is of the bizarre and remarkable Totentanz… Whether the work's extremes of lyrical solo reflection and collective eruptiveness can ever really be conjured... — More…
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